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SPOTIFY UNVEILS NEW FEATURES FOR ARTISTES, PODCASTERS, MUSIC CREATORS

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Spotify, an online streaming platform, held its 2023 “Stream On” programme, unveiling features and tools to build career of artistes, podcasters and music creators.
Daniel EK, Spotify’s Chief Executive Officer (CEO), during the virtual programme said this was necessary to aid deeper and long-lasting connections between music creators and listeners across the globe.
He said Spotify doubled down on discovery, revealing a reimagined interface that leverages new visuals and a completely new and interactive design.
According to him, one of the features which is the “new Spotify experience” will roll out in waves beginning today to over 500 million monthly active users of Spotify.
He noted that with “Smart Shuffle”, Spotify was introducing a new way to inject new music that perfectly complements an existing playlist with just the tap of a button.

He said building on the success of podcast previews, creators can choose or have Spotify automatically generate preview of their music and podcasts for users to sample before they play or save.

Spotify Out Put

“Just like with music, Spotify will now serve autoplay for podcasts. When a podcast ends, another episode will automatically start playing that fits the user’s tastes and is relevant.

“Stream On is about all the ways we are bringing Spotify to life and letting creators at all stages of their careers know that we are open for business.

“We are focused on building the best home for them – a place where they can establish a career, thrive and grow and where the world can be inspired by their creativity.
“And that is what we have been doing for almost 17 years: building, improving and reimagining this home to better meet creator needs and help them chart new pathways to success.
“As we look to the future, we are excited to expand that ambition to even more creators across new formats.
“We are enabling more creativity, discovery and personalisation than ever before by providing the best resources, support, and interactivity,” he said.


The CEO also unveiled new and enhanced tools to help creators build and grow audiences which would help artistes find the fans who will love their music most.
He shared more details on the next revenue line to help artistes grow – merchandise and live.
He also announced the rollout of additional podcast features.
“Spotify for podcasters now brings together the best of Spotify’s podcast creator tools into a one-stop shop to create, manage, grow and monetise podcast content.
“Previously, Spotify’s most innovative features were limited to anchor users exclusively, but the company is building the new Spotify for podcasters in a way that offers more open access to innovation.


“As a result, all Spotify for Podcasters users—including those not hosting their content on Spotify, will find access to Question and Answer and Poll functionality in their dashboards.
“Starting today, when all creators sign up or log in to Spotify for Podcasters, they will find a dashboard with everything they need to make, manage, and level-up their show,” he said.
He also announced new and expanded Spotify Originals and Exclusives.
“Spotify and DC Comics will launch a new podcast series, The Riddler: Secrets in the Dark which will be led by Phantom 4 and filmmaker, novelist, and comic book writer, David S. Goyer.
“Fans can expect all of the beloved characters from the “Batman Unburied” series.
“Today, there are more than ten million creators on Spotify with over half a billion listeners across 184 countries and markets.


“Think about the massive potential that represents for creators. No matter where you are on your own creative journey within music, podcasts or audiobooks.
“The potential to reach half a billion people. And that reach is about to become more powerful with what we’ve introduced today,” he said.


Gustav Söderström, Spotify’s Co-President and Chief Product and Technology Officer, said , “Spotify recommendations drive close to half of all users’ streams. And when listeners decide to follow a creator, they listen to, on average, five times more of their music.
“That’s why discoveries on Spotify, unlike many other platforms, give creators so much more than just a fleeting moment of viral fame.
“Those meaningful, long-term connections are a key part of what makes Spotify a platform for professional and aspiring artistes”. (NAN)

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Fela’s Daughter, Yeni Kuti Breaks Silence On Father’s Death

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Nigerian dancer and TV presenter, Yeni Kuti, has broken the silence on the cause of her father, Fela Anikulapo-Kuti’s death.

Naija News recalls that Fela died on the 2nd of August 1997 in Lagos.

Twenty-six years after the demise of the Afrobeat pioneer, Yeni acknowledged that their father died of Acquired Immunodeficiency Syndrome (AIDS).

Speaking during a recent chat with media personality, Chude Jideonwo, Yeni said though the whole family had rejected the move by her uncle, Dr Olikoye Ransome-Kuti, to announce that Fela died of AIDS, it was the best decision he made.

She noted that there was a series of arguments when Olikoye vowed to publicise the cause of Fela’s death, but the children later accepted his decision after persuasion from family members.

Yeni acknowledged that the announcement by her uncle put aside speculations by people and journalists.

She said, “Then, I didn’t think the decision by his brother [Dr. Olikoye Ransome Kuti] to announce that he [Fela] died of AIDS was the best.

“I remember we [Fela’s children] had a big fight with my uncle at a time. They had already diagnosed Fela with AIDS at the hospital.

“Uncle Koye wasn’t in town when the diagnosis came. And he came maybe about two days later…Then he called us, Femi, Shola and I, ‘you know what has happened, I’m going to announce to the press that he has AIDS.’

“We said, ‘No, way’. At that time, we still thought Fela would survive. We said, ‘look, it’s not your place to announce that Fela has AIDS, if Fela survives, let him.’ And he said, ‘Okay, you have a point.’

“But then, Fela now died. And he [Dr. Olikoye Ransome-Kuti] said he is going to announce that Fela had AIDS.

“We quarrelled with him. The whole family started talking to us, ‘it’s not good to lie, people are still going to discover.’ So, reluctantly, we agreed.

“But I have to say it now, I think it was the best decision that my uncle made. If he had not announced it, till now they [journalists] will still be doing underground ‘what killed Fela?’”

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Davido, Tiwa Savage, Osimehn, Others To Receive National Honours

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The Federal Government is set to award some Nigerian entertainment personalities with National Honours for their significant contributions to the country.

Naija News understands that President Muhammadu Buhari would confer the awards to the business mogul at an award ceremony scheduled to hold in Abuja, the nation’s capital.

The Minister of Special Duties and Inter-Governmental Affairs, Senator George Akume, made this known in a statement released on Sunday in Abuja.

Some of the prominent singers and entertainment personalities who would receive national honours include Napoli striker, Victor Osimhen; David Adeleke, popularly known as Davido; Tiwatope Savage, also known as Tiwa Savage, Richard Ayodeji Makun, popularly known as AY Makun; Kunle Afolayan; and Bayo Omoboriowo.

While Davido, Tiwa Savage, and Afolayan will be awarded the Officer of the Order of The Niger (OON), Osimehn, Makun and Omoboriowo will be conferred with Member of the Order of the Federal Republic (MFR).

List Of Nigerian Business Moguls To Receive National Honours

Some Nigerian businessmen have been nominated by the Federal Government to receive National Honours for their significant contributions to the country.

Some of the prominent business moguls who would receive national honours include the Group Chief Executive Officer of Access Holdings, Herbert Wigwe, Nigerian billionaire, Terry Waya; Economist and member of the Presidential Transition Committee (PTC), Wale Edun; co-founder of Tony Elumelu Foundation (TEF) and the Chairperson of Avon Medical Practice Limited, Awele Elumelu; and President of Transcorp Group, Owen Omogiafo.

Others are the Chairman and Chief Executive Officer of De Chico Investments Limited, Chief Benson Madubuko; President and CEO of Erisco Foods Ltd, Chief Eric Umeofia; Dr Teslim Adekunle Sanusi, and Chairman of BISWAL Limited, Adebisi Abidemi Adebutu, among others.

Naija News

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I’m Back To Cement My Legacy As A Hitmaker – Sean Tizzle

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The year 2013 came with a lot of era-defining hits for Afrobeats. With the Wizkids and Davido debuts, the scene was really more receptive to more niche variants of contemporary Afro pop at the time. It was a beehive of sounds that tasted like honey. And if one really got any attention then, it was a validation of your prowess, since the marketing push was a lot less easier than it currently is. 

Among the libraries of songs released that time was a particular club banger dubbed, Sho Lee. The Sean Tizzle offering was not only iconic, but it spread wider than fake news across the country. With follow-up hits like Perfect Gentleman, Loke Loke, among others, it was easy to see why Tizzle was worth the acclaim he got. His hit-making prowess trademarked him as one to watch in the industry. 

However, life comes at one pretty fast, and for these entertainers it really is no different. Prior to the pandemic-era, the young musician had already been finding it hard to maintain his momentum. Was it the sonic shift in the African musicscape that triggered this ‘sabbatical’? While Tizzle, born Morihanfe Oluwabamidele, was able to still drop music, albeit sparsely, it was clear that the musician was taking some time off from being an active player in the scene.  With a litany of hits under his belt, including collaborations with Olamide, Davido, Tiwa Savage, among others, Tizzle’s legacy as one of Nigeria’s most exciting hitmakers is definitely one for the record books. Now, with a forthcoming comeback album dubbed, DUES, which is slated for a late summer release, and a lead single dubbed, Al Barakah, the 33-year-old musician is set to cement his legacy in the annals of Nigerian music.

In an exclusive chat with Guardian Music, the singer peels back memory lane on his hiatus from the music scene, his creative process, his experience with fatherhood, as well as why his forthcoming album might be the comeback everyone will be talking about. 

It’s an interesting moment for you and for the music audience. How are you feeling right now?
I feel special; you know it is an amazing feeling. Like a lot of people have been waiting for this time, a lot of people have been wondering what has been happening to Sean Tizzle, like it has been a minute you know. 

Why did we stop seeing Sean Tizzle in our faces? 
Yeah it’s kind of crazy; I hear that like all the time. But for me, the thing is I just needed to step back. I was just working on myself basically because in life, you have to gain knowledge everyday. So, I was just unlearning some things and learning some new things, talking about everything because, they say “slow success builds character”, and fast success is just going to give you some ego and all that. So, it’s not just the working part and at the same time working on yourself as a person and that’s one thing I’m most excited about. The fact that you know I get better by the day and at the same time, putting in that work. And waiting for, you know, the right moment.  The right moment sometimes isn’t just about that. You have to build up to it, even if it’s going to take time. Like they say, I’m all about hard work, dedication and patience. And the right time that I was talking about is like having the right people around you as well, the right mind, the right team as well and you know just basically wait for the right time.

For you to have taken a break, something must have been a catalyst?
Well, for me I would just say it’s life basically. You know just like life, it’s like you can’t always be linear. Road no straight you know, maybe for Naija everything na just straight road but in the proper sense you understand, everything is not straight. Because if e too straight, e no go make sense, the zigzag is the beauty of it. So regardless of whatever happened in the past, because I can’t even remember if anything happened basically. I was supposed to drop an album a couple of years back, then spoke to somebody, a painter actually.  He painted a lot of works, and we were having this discussion when he said, “this is art.” So sometimes you have to take your time with it. Whenever I’m working with a producer the first thing I tell you is, you have to put your mind in this shit, because this is what you use to feed your family for the rest of your life. So you have to get better bread, and let’s do what we have to do. If we have to take our time and have a lot of this, you know songs to look into, and say okay we are good to go.

You were known for being a hit maker; was there pressure for you to improve your quality when you took your step back? 
Basically not that I was totally off the scene because, in 2017, I dropped an EP; moving forward I dropped another one. They were all just built up till this moment; the whole learning process till this time because you can tell that with this comeback single how you guys are talking about it is on a different level. Like in terms of everything apart from the fact that it’s real, every word, every line and this record is like a fact you know. Yeah, you can tell that is just good music, all round good music.

What I’m deriving from you is at some point you needed to take your time?
To take my time honestly, I had to.

Is it something you can advise other musicians to do?
Omo na you get power. If e sure for you you go do wetin sure for you. You understand, but you can take a break and go like that for 10 years straight; it depends on what your plan is. You know I’m dropping an album soon; it’s coming out pretty soon and it’s going to be like Tizzle shey na wetin you don dey do since be this? That’s what I’m talking about. No be say you wan go dey form one thing on top wetin no be, everything na real talk as e happen. So when you listen to this project, you would say it’s personal. It’s like a million people around the world have gone through the same stuff, you understand.

When you were a bit quiet in the scene, were some of your peers reaching out to you to know what’s up?
Well, I no too really get so many friends like dat. Most of my friends are like my very few people. Omo we just dey see sometimes, we just dey see. Basically, most of them are just friends but not close. 

Could it be a character thing, because you seem like a pretty chill guy? 
Shey you see! However, everybody thinks, ‘this guy e dey form.’ But I just like to chill, you know! It’s so funny that I don’t even like it when you don too hail me sef. I just want make we just dey. So, sometimes because I’m laid back people think I’m trying to feel I’m some type of way. But if you become my person, me I dey talk o.

On the album, what are we expecting? 
Well the album is titled, DUES. I have been promoting it for like a while now. 

Are there any collaborations?
No, it’s just me on it. The word dues refers to an obligatory payment. So, because it’s an obligatory payment, it’s my thing; no features on it. Just like that, 12 songs by Sean Tizzle. It’s been a minute; so I have to serve you guys, like really serve. Even on the next project, I want to serve. I’m going to put a little feature on it, if that’s what people want. But on this one, it’s just me. We might have a feature probably on a deluxe, but I’m not sure.

How long have you been making this project?
It’s been a while. Basically, I just go to the studio and work everyday on a bunch of songs and, I don’t know, I just keep working. You could just pick a song from right now and be like this should work. The world doesn’t stop; it could be till like maybe you fit decide you wan put another song now but it doesn’t happen. Every song is like a tap. You get what I’m saying. Every work is like continued work.
 
So, how many years exactly?
Well I will say three to four years.

So what are the themes we are going to see on your record?
It’s just like real life. Real talk, like my life in general. Everything is just real. You know I haven’t seen my family in a minute because I had to focus on this whole project you know. I have not seen my daughter; I have missed so many of her birthdays. A lot of people thought that I was in the U.S., but basically I have been here in Nigeria working. I would love to see my family again. So maybe after the album drops and with success maybe I will be able to. 

So, they can’t come down here?
No; because the mother works too and all that. So, it’s just a once in a while thing and she’s still pretty young you know. 

Are you married?
Me I never marry o, I just get my pikin. I am co-parenting. 

So, what is fatherhood like? 
Yeah it’s quite interesting. Whenever I’m with my daughter she never leaves me alone; she’s always with me. She’s Madison or Ayomide. Those are her names. So yeah, I miss her though it’s been a minute. I barely even have time to spend with her because I have to actually do this. Maybe until the album drops then I get to spend a longer time with her.

So like how old is she?
She’s five.
So what’s your view on where the Afrobeats scene is going, and how are you trying to fit into that? 

You know already, everybody knows what’s happening right now, even the blind sef know. You understand, like it’s visible. We are there because right now, Afrobeats is up there. I just want to shout out to everybody that has been holding it down.

People are actually killing it honestly. I don’t think anybody is making any bad song so far for me. Everybody is actually putting in his or her work around the world; because everybody is seeing you, you just have to actually put the work in and be true to yourself you know. That’s why I ask myself, ‘if you are still going to do this if you are not making anything from it?’ And the answer is yes.  So, do what you want to do then and do it how you want to do it.

Tell us how you even delved into the music scene?
That was 2013. It’s been a minute; it’s been a while.

Was that when you decided to do music full time?
No, that was long before then, when I was still in secondary school; maybe early 2000s or something.
So did you go to college to study something else on the side?Studying something on the side? Yes! I was studying Theater Art at the University of Ibadan. 


So, was it going to still be entertainment either way? 

Yeah, but studying Theater Art wasn’t intentional. I wanted to go for Law or Political Science but I didn’t make the cut-off mark. So instead of staying at home, I saw this and e come wan be like wetin I dey do underground. So, I was like okay.

At that time, did your family know that you wanted to do music?
Yeah. It was a good thing. They were like you want to do that? Fine, but if you want to do that you still have to go to school. You know how they like to put out those stuff men.

What would you say are your biggest strengths in your artistry?
Well, you just tend to love your job regardless; to just put a song out and love your job. I just love my job. Sometimes, the recording process can be so smooth and we can just have an amazing time and it happens so fast. And sometimes, it might take a little bit more time, but it’s still fun.

And performance goes the same way. Sometimes you have a beautiful night and sometimes, you are like this isn’t the best night, but it’s still a good night. So, I just feel everything goes together. It’s artistry. 

So that’s what we are to expect from the album, DUES, a melange of your experiences in life?
It’s the people. It’s for them to accept it with love. They should open their minds and just be willing to listen to some fresh songs. They should just enjoy it.

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